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The All Fields view lets you view all or selected subsets of the data associated with a contact. The amount of information number of elds that an individual contact can hold is quite impressive and is way too much to display fully in any other contact view. The All Fields display also lets you de ne your own custom elds for a contact and to change the properties of some elds. The All Fields display is shown in Figure 29-15. Near the top is the Select From list, in which you choose which elds to display in the window. You can display all elds as well as one of several de ned subsets, such as All Contact Fields or All Mail Fields.

FIGURE 18.20 Here you see the results of raising the first Input Levels value to 50 (left), lowering the last value to 200 (right), and combining the two (bottom).

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Audio engineers have a mantra for EQ: Boost wide, cut narrow. This means that if you re going to boost frequencies, you should boost frequencies to either side of the target frequency. If you re going to cut a particular frequency, try to cut a very small area around that frequency. This makes EQ sound more natural.

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The Properties Bar also offers options for appearance settings. (Remember, we loaded that toolbar when we set up our editing environment at the beginning of the chapter.) Using the Properties Bar is a trade-off. On the one hand, it s so much easier to make changes to Bookmark appearances using the toolbar; but on the other hand, it takes up a row in the Toolbar Well. If your monitor is large enough and your viewing space adequate to comfortably see page content, then take a look at the options your have in the Properties Bar shown in Figure 22.11. FIGURE 22.11

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Figure 19-7 shows a range of cells that use color scale conditional formatting. It depicts the number of employees on each day of the year. This is a three-color scale that uses red for the lowest value, yellow for the midpoint, and green for the highest value. Values in between are displayed using a color within the gradient. Excel provides four 2-Color Scale presets and four 3-Color Scale presets, which you can apply to the selected range by choosing Home Styles Conditional Formatting Color Scales.

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Resource Reservation Protocol Real-Time Control Protocol Real-time Transport Protocol Round-Trip Time Real-Time Variable Bit Rate Service Access Point Subnet Bandwidth Manager Statistical bandwidth transfer capability Sustainable Cell Rate Signalling Common Transport Protocol Synchronous Digital Hierarchy Service Description Protocol Symmetric Data Subscriber Line Serving GPRS Support Node Service Data Unit Simple Integrated Media Access Session Initiation Protocol Service Level Agreement Service Level Management Service Level Speci cation Small or Medium Enterprise Short Message Service Simple Mail Transfer Protocol Simple Network Management Protocol

although Of ce itself does not use the word gallery to refer to every feature set. Some, such as the lists of bullets, are called libraries instead. Galleries include document styles, themes, headers, footers, page colors, tables, WordArt, equations, symbols, and more. The Style Gallery is shown in the previous section, in Figure 2-11. Galleries often work hand-in-hand with the Live Preview feature. Imagine that you re paging through a coffee-table volume of paintings, and each time you point to a different painting, your own house and garden are transformed to re ect the style and period of the painting. Point at a different painting, and your house and garden are retransformed, as the selected item is transformed when using Live Preview. As noted earlier, however, not every gallery results in a Live Preview. As you begin to take advantage of this feature, you will quickly start to miss it when it s not available. Of ce 2010 has added some new galleries that Of ce 2007 did not have, such as the Artistic Effects gallery in the Picture Tools Format tab in Word.

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